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TALL TIMBER ON THE BOLL WEEVIL LINE
(Print Number Ten in the C. A. Warner Memorial Series of Historic Texas Oil Field Images)
"The Invisible Roughneck in the Texas Oilfields"
Roughnecks have always been tough, especially those walking calluses who were sinking holes in Texas fields a century ago.
But muscle and blood won't cut through a thousand feet of rock...unless you have Pharaoh's manpower.
Turning those early bits was the job of an invisible roughneck. Mother Boiler's hot headed son, Steam.
You're
probably saying, 'Wait a minute. Steam isn't invisible. You can see it
coming out of a hot kettle or a burst radiator.' Well, that's not steam.
What you see it water vapor, the ghost of steam.
Out in the
oilfields a hundred years ago, it was oil that fired the boilers, that
made the steam, that moved the piston, that spun the flywheel, that
turned the drill pipe, that was attached to the bit, that brought in the
oil. The circle of industrial life.
Steam also propelled the locomotives that pulled the tank cars, that hauled the crude to the refinery.
By
1905, steam was helping to bring enough oil out of the Texas ground
that the railroads switched from coal. 3.5 barrels of oil could replace a
ton of coal at 1/4 the price.
That brings us to this image.
It's called Tall Timber on the Boll Weevil Line - Mexia, 1925. The Boll Weevil Line is what folks called the Texas & Brazos Valley RR.
How
about that perspective? The photographer (a Mr. Abbott) hauled his
camera to the top of a neighboring derrick to get the shot of that long,
black train.
It's print No. 10 in the Warner Series of Historic Oilfield Images.
It's a limited edition of 254 copies (as always). Each one is
hand-numbered. They measure 24 by 18 inches.
These
are a high quality Giclee prints on old-world style heavy weight, acid
free, cold press watercolor paper. Each one is individually hand
numbered. The 'felt finished' surface allows the inks to 'bite',
reproducing the shading and tonality of the original image vividly,
beautifully, and exactly. These inks are guaranteed color-fast for 80
years, which means you won't need to lay out the extra money for UV
glass. You can hang your prints in direct sun and it will be just as
bright when they are passed on to the next generation as a family
heirloom as it is the day it ships.
This is a high quality Giclee print on old-world style heavy weight, acid free, cold press watercolor paper. Each one is individually hand numbered. The 'felt finished' surface allows the inks to 'bite', reproducing the shading and tonality of the original image vividly, beautifully, and exactly. These inks are guaranteed color-fast for 80 years, which means you won't need to lay out the extra money for UV glass. You can hang your print in direct sun and it will be just as bright when they are passed on to the next generation as a family heirloom as it is the day it ships.
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